1. Адорно Т. (1999) Избранное: социология музыки. СПб.: Университетская книга.
2. Beaud P. (1982) Et si lТon reparlait dТAdorno? // Popular Music Perspectives. Papers from the First International Conference on Popular Music Research. Amsterdam, June 1981. The International Association for the Study of Popular Music. GoteborgЦExeter: Goteborg Univ., pp. 82Ц92.
3. Blacking J. (1973) How Musical is Man? Seattle: Univ. of Washington Press.
4. Bowden B. (1982) Performed Literature: Words and Music by Bob Dylan. Bloomington: Indiana Univ. Press.
5. Braun M. (1964) Love Me Do! The Beatles Progress. London: Penguin.
6. Cloonan M. (2005) What is Popular Music Studies? Some observations // British Journal of Music Education, vol. 22, no. 1, pp. 77Ц93.
7. Covach J. (1999) Popular Music, Unpopular Musicology // Rethinking Music. Oxford: Oxford Univ. Press, pp. 452Ц470.
8. Covach J. (1997) We WonТt Get Fooled Again: Rock Music and Musical Analysis // Keeping Score: Music, Disciplinarily, Culture. Charlottesville: Univ. Press of Virginia, pp. 75Ц90.
9. Cutler C. (1985) What is Popular Music? // Popular Music Perspectives 2. Papers from the Second International Conference on Popular Music Studies. Reggio Emilia. September 19Ц24, 1983. GoteborgЦExeterЦOttawaЦReggio Emilia: A. Weaton & Co. Ltd. Exeter. Pp. 3Ц12.
10. Fabbri F. (1982a) A Theory of Music Genres: Two Applications // Popular Music Perspectives. Papers from the First International Conference on Popular Music Research, Amsterdam, June 1981. The International Association for the Study of Popular Music. GoteborgЦExeter: Goteborg Univ., pp. 52Ц81.
11. Fabbri F. (1982b) What Kind of Music? // Popular Music, no. 2, pp. 131Ц144.
12. Friedman R. (1968) The Beatles: Words without Music. New York: Grosset & Dunlap.
13. Frith S. (1978) The Sociology of Rock (Communication and Society). London: Constable.
14. Frith S. (1982) The Sociology of Rock Ц Notes from Britain // Popular Music Perspectives. Papers from the First International Conference on Popular Music Research. Amsterdam. June 1981. The International Association for the Study of Popular Music. GoteborgЦExeter: Goteborg Univ., pp. 142Ц154.
15. Frith S. (1989) Why Do Songs Have Words // Contemporary Music Review, vol. 5, pp. 77Ц96.
16. Frith S. (2007) Taking Popular Music Seriously: Selected Essays. Aldershot: Ashgate.
17. Griffiths D. (1999) The High Analysis of Low Culture // Music Analysis, vol. 18, no. 3, pp. 389Ц434.
18. Hall S. (1980) Encoding/Decoding // Culture, Media, Language: Working Papers in Cultural Studies, 1972Ц1979. London: Hutchinson, pp. 128Ц138.
19. Hebdige D. (1979) Subculture: Meaning of Style. Florence (KY): Routledge.
20. Hesmondhalgh D. (1996) Flexibility, Post-fordism and the Music Industries // Media, Culture & Society, no. 18, vol. 3, pp. 469Ц488.
21. Horn D. (2008) The Origins and Development of the Institute of Popular Music: an Interview // Popular Music History, vol. 3, no. 1, pp. 9Ц38.
22. Johnson R. (1986Ц1987) What Is Cultural Studies Anyway? // Social Text, no. 16. Winter, pp. 38Ц80.
23. Jones L. (1963) Blues People. New York: William Morrow/Apollo Editions.
24. Keil Ch. (1987) Participatory Discrepancies and the Power of Music // Cultural Anthropology, vol. 2, no. 3, pp. 275Ц283.
25. Keil Ch. (1966) Urban Blues. Chicago: Univ. of Chicago Press.
26. Krims A. (2003) Marxist Music Analysis without Adorno: Popular Music and Urban Geography // Analyzing Popular Music. Cambridge: Cambridge Univ. Press, pp. 131Ц157.
27. Laing D. (2008) Introduction to the Special Issue: 20 Years of the Institute of Popular Music // Popular Music History, vol. 3, no. 1, pp. 5Ц8.
28. Mann W. What Songs the Beatles Sang // The Times [Ёлектронный ресурс]. December 27, 1963. Friday. (http://www.beatlesbible.com/1963/12/27/the-times-what-songs-the-beatles-sang-by-williammann/).
29. Manuel P. (1993) Cassette Culture. Chicago: Univ. of Chicago Press.
30. Martin P.J. (1997) Sounds and Society: Themes in the Sociology of Music. Music and Society. Manchester: Manchester Univ. Press.
31. McClary S., Walser R. (1988) Start Making Sensel Musicology Wrestles with Rock // On Record: Rock, Pop and the Written Word. New York: Pantheon, pp. 277Ц292.
32. Mellers W. (1964) Music in a New Found Land. London: Barrie and Rockliff.
33. Middleton R. (1972) Pop Music and the Blues. London: Gollancz.
34. Middleton R. (1990) Studying Popular Music. Milton Keynes: Open Univ. Press.
35. Moore A.F. (2003) Analyzing Popular Music. Cambridge: Cambridge Univ. Press.
36. Moore A.F. (1993) Rock, the Primary Text: Developing a Musicology of Rock. Buckingham: Open Univ. Press.
37. Popular Music Studies (2002) / D. Hesmondhalgh, K. Negus (eds.). London: Bloomsbury Academic.
38. Small C. (1998) Musicking: the Meanings of Performing and Listening. Hanover (CT): Univ. Press of New England.
39. Stokes M. (1992) The Arabesk Debate. Oxford: Clarendon Press.
40. Tagg Ph. (1982) Analysing Popular Music: Theory, Method and Practice // Popular Music, vol. 2, pp. 37Ц67.
41. Tagg Ph. (1979) Kojak: 50 Seconds of Television Music. Goteborg: Musikvetenskapliga Institutionen.
42. Warner T. (2009) Approaches to Analyzing Recordings of Popular Music // The Ashgate Research Companion to Popular Musicology. Aldershot: Ashgate, pp. 131Ц147.
43. Whose Music? A Sociology of Musical Languages (1977) / J. Shepherd (ed.). London: Transaction Publishers.
44. Wicke P. (1990) Rock Music: Culture, Aesthetics and Sociology. Cambridge: Cambridge Univ. Press.
45. Williamson J., Cloonan M. (2007) Rethinking the Music Industry // Popular Music, vol. 26, no. 2, pp. 305Ц322.
Комментарии
Сообщения не найдены